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NOTES FROM THE FLOOR

Short, practical pieces about Contact Improvisation in Miami: what the Friday class is like, how weight-sharing works, how to fall, what to practise at home, and how the room stays safe. Written for this site, for people who are new to it.

Oct 6, 2026 · 5 min read

Contact improv in Miami: what to expect on a Friday

A newcomer's guide to the Friday contact improv class and jam in Miami at Inner Motion Dance Studio, Hallandale Beach: schedule, online vs door prices, how to book.

Oct 6, 2026 · 5 min read

Floor to standing: dancing through levels

Contact improv moves between the floor, a middle level and standing. Why the floor comes first, how dancers travel between levels, and what changes at each height.

Oct 5, 2026 · 4 min read

The small dance: what standing still teaches you

The small dance is a contact improv exercise in standing still and noticing the constant tiny adjustments that keep you upright. What it is, how to do it, and why it matters.

Oct 4, 2026 · 5 min read

Five things to practise on your own between jams

You do not need a partner to get better at contact improv. Five short solo exercises for rolling, falling, the spine and balance that make your next jam easier.

Sep 20, 2026 · 5 min read

Five things nobody tells you before your first jam

What actually happens at a contact improv jam, and the five things that make the first one easier: sitting out, the awkward start, leaving a dance, and what to bring.

Sep 20, 2026 · 6 min read

Weight-sharing, explained

Giving weight, receiving weight, and the rolling point of contact: the one mechanic every contact improv dance is built on, and the mistake almost every beginner makes.

Sep 20, 2026 · 6 min read

How to fall without getting hurt

Falling is not a mistake in contact improv, it is a skill: lowering your centre, rolling instead of stopping, keeping your feet available, and why spotting exists.

Sep 20, 2026 · 5 min read

Dancing with strangers: consent and saying no mid-dance

Consent in contact improv is continuous, mostly physical and always revocable: how the negotiation works, what a good jam does about it, and what to do if something feels off.

Sep 20, 2026 · 4 min read

Why there is (usually) no music at a jam

Silence at a contact improv jam is not an oversight: music covers the information the dance runs on, and dancing without it changes how you move and listen.

Reading is the easy part

The form makes sense in a room, about ten minutes in. Come to the Friday jam and find out.